罗马流浪汉

　　The film doesn't feature the greatest script ever written (not even the greatest script ever written for a trashy Italian film!), but the silly dialogue is often very funny and the film's absolute disregard for political correctness when it comes to the lead character's disfigurement is just great. Obviously, a lot of this film's success (or lack of) rests on the shoulders of Tomas Milian, and despite being given a rather heavy role; he doesn't manage to turn a great performance. His "Pigsty" character is a messy imitation of the "Garbage Can" character from Free Hand for a Tough Cop, while the hunchback character is a lot more like Milian's forte; but the make-up intrudes on the performance, and neither one comes off particularly well. However, I'd much rather have Tomas Milian in the role than anyone else, and he does always make the film worth watching in spite of its shortcomings. The plot flows nicely enough throughout and it's usually entertaining. Lenzi has also seen fit to throw in a sub-plot revolving around the hunchback's attitude towards his disability, which feels a bit odd but works fairly well nonetheless. Overall, this is a decent enough slice of Italian police action and I'm sure most people that see it will enjoy it. 　　译文(2): 这部电影没有写出最伟大的剧本(甚至连最伟大的意大利垃圾电影剧本都没有!)但是愚蠢的对话往往非常有趣，而且当涉及到主角的毁容时，电影完全忽视了政治正确。很明显，这部电影的成功(或缺失)很大程度上取决于托马斯 · 米利安，尽管他被赋予了一个相当沉重的角色，但他并没有成功地完成一个伟大的表演。他的“猪圈”角色是模仿《铁汉警察的自由之手》中的“垃圾桶”角色，而驼背的角色更像是米连的强项; 但是化妆打乱了表演，两者都没有特别好的效果。然而，我更希望托马斯 · 米利安出演这个角色，而不是其他任何人。尽管这部电影有缺点，但他总是让它值得一看。整个故事情节流畅，通常很有趣。伦齐也认为应该加入一个次要情节，围绕驼背对他的残疾的态度，这感觉有点奇怪，但工作相当不错。总的来说，这是意大利警方行动中相当不错的一部分，我相信大多数看到的人都会喜欢。