年轻，暴力，危险

　　This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions. 　　译文(2): 这是一部有趣的电影。意大利剥削电影普遍的倾向是避开逻辑情节和人物发展而专注于精心制作的电影“场景片段”。虽然这通常适用于吉亚利(有些人会说是食人族和僵尸电影) ，但在意大利犯罪电影中，这通常是个问题，因为背景通常包括枪战和长时间的汽车追逐，这两个领域意大利人没有机会超越大成本的好莱坞电影(尽管他们经常尽他们最大的努力)。因此，这部电影很有趣，因为它确实有很多角色的发展，特别是在恶棍，三个特权青年成为绝望的罪犯后，他们的干净利落，但越来越精神错乱的领导人，“金发女郎”，开始在一个拙劣的加油站抢劫枪战。其中一个年轻人是一个更明显的精神错乱的寻求刺激者，而第三个年轻人，“轮子手”是决定性的非暴力，但忠于过错，他的两个朋友。演员阵容的另一部分是车夫(埃莉诺拉 · 乔治饰)的女朋友，讽刺的是，她向警察报告了抢劫计划(并错误地告诉他们三个人只有玩具枪) ，从而使整件事开始进行。与此同时，主警察是由托马斯米兰，通常在这些类型的电影中的精神病重。米兰是一个标志性的存在，是一个有趣的人物，因为他不是冷酷无情，但也不是一般的边缘法西斯“带徽章的反叛者”经常在这些电影中看到。大多数情况下，他只能悲剧地证明自己无法阻止那些狂暴的年轻人。情节基本上还算可信，除了一个场景: 他们与另一群年轻人勾搭在一起，开枪抢劫了一家杂货店，甚至无缘无故杀死了自己的同伙。有一些相当不必要的裸体，包括一个相当抱歉的借口，让乔治上空(但谁会抱怨这太多?).结局是典型的愤世嫉俗，但这是我欣赏这些电影的一件事，而不是美化暴力的好莱坞版本。